"A lot of Music Is Over! invites comparisons to Murakami: the Japanese cultural elements, the dream-like setting, the juxtaposition of the surreal and the mundane, the terse narration, and the laconic dialogue. But I feel like what distinguishes this novella is how Arzate blends these ingredients with elements from folklore, science fiction, horror, absurdism, pornography, and, most extensively, bizarro. In many ways, Music Is Over! is a compact ecosystem of literary forms typically labeled as experimental or fringe."